In Writing Pirates, Yuanfei Wang connects Chinese literary production to emerging discourses of pirates and the sea. In the late Ming dynasty, so-called “Japanese pirates” raided southeast coastal China. Hideyoshi invaded Korea. Europeans sailed for overseas territories, and Chinese maritime merchants and emigrants founded diaspora communities in Southeast Asia. Travel writings...(展开全部)

In Writing Pirates, Yuanfei Wang connects Chinese literary production to emerging discourses of pirates and the sea. In the late Ming dynasty, so-called “Japanese pirates” raided southeast coastal China. Hideyoshi invaded Korea. Europeans sailed for overseas territories, and Chinese maritime merchants and emigrants founded diaspora communities in Southeast Asia. Travel writings...(展开全部)

Iconoclastic scholar Li Zhi (1527–1602) was a central figure in the cultural world of the late Ming dynasty. His provocative and controversial words and actions shaped print culture, literary practice, attitudes toward gender, and perspectives on Buddhism and the afterlife. Although banned, his writings were never fully suppressed, because they tapped into issues of vital signi...(展开全部)

The last century of China's Ming dynasty (1368-1644) saw many troubles and challenges from abroad. Pirates raided the coast, Europeans challenged the traditional world order of the tribute system, and the everlasting threat from the northern steppe people continued to raise concerns for the state. This climate of uncertainty resulted in many Ming literati discussing foreign cou...(展开全部)

The last century of China's Ming dynasty (1368-1644) saw many troubles and challenges from abroad. Pirates raided the coast, Europeans challenged the traditional world order of the tribute system, and the everlasting threat from the northern steppe people continued to raise concerns for the state. This climate of uncertainty resulted in many Ming literati discussing foreign cou...(展开全部)

This work explores significant physical aspects of the printed book in late imperial China to reconstruct the changing assumptions with which Chinese popular novels were originally read from the sixteenth through nineteenth centuries. It focuses on the previously neglected areas of book format, varieties of illustrations and their significance, and the theory and practice of re...(展开全部)

This work explores significant physical aspects of the printed book in late imperial China to reconstruct the changing assumptions with which Chinese popular novels were originally read from the sixteenth through nineteenth centuries. It focuses on the previously neglected areas of book format, varieties of illustrations and their significance, and the theory and practice of re...(展开全部)